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Compare the Panasonic S1 mark II E with the S1 mark II and the S1 R mark II
Kamera Express
In February 2025, Panasonic launched the successor to the Panasonic S1 R mark II, and just a few months later it is time for the Panasonic S1 mark II E and Panasonic S1 mark II. These two new cameras not only look very similar, but have also adopted many specs from the Panasonic S1 R mark II. We placed the three cameras side by side and thoroughly compared all specifications. Although the cameras have many similarities, each one is still made for a different type of user. Below, you will find a short description of each camera and who it is most suitable for. In the comparison table, you can see the key specifications of the three cameras at a glance and how they differ from each other. This makes the choice easier for you.

Panasonic S1 mark II E
The Panasonic S1 mark II E is a high-quality mirrorless camera with a 24.2 MP BSI sensor. This means sharp images with a high dynamic range of 14 stops. Create 96 MP high-res photos with this camera, so you can capture fine details effortlessly. The camera features the latest image processor with L² Technology and renewed AI autofocus. The new Urban Sports mode is perfect for tracking breakdancing, skateboarding and parkour, among other subjects. The video options in the S1 mark II E are also of a professional level. The camera offers 6K video recording at 30fps, with support for 10-bit 4:2:2, All-Intra and Apple ProRes RAW. The 5-axis image stabilisation with Dual I.S. 2 (up to 7.5 stops) ensures stable images, even without a gimbal. This camera offers what you need, whether you are photographing, filming or streaming.

Panasonic S1 mark II
The Panasonic S1 mark II has a renewed 24.1 MP partially stacked sensor capable of 96 MP high-res photos. These are images of up to 12000 x 8000 pixels. The camera is very fast, ideal for the content creator who works at high speed and wants to shoot both photos and videos with razor-sharp results. The camera comes with impressive new specifications, such as a 70fps burst mode. The video options in the S1 mark II are also of a professional level. The camera delivers up to 15 stops of dynamic range in V-Log. You can shoot in 6K at 30fps. All required professional workflows are supported, such as ARRI LogC3, REAL TIME LUT, 32-bit float audio, timecode, proxy recording and support for Capture One, Frame.io and LUMIX Lab. With the Panasonic S1 mark II, you not only take beautiful photos, your videos will also be of high quality.

Panasonic S1 R mark II
The Panasonic S1 R mark II is the full-frame mirrorless camera for the hybrid professional who does not want to compromise on photo resolution or video quality. With a 44.3 MP BSI sensor and a breathtaking 177 MP high-res mode, it delivers superior photo quality. This camera is ideal for large prints and extreme cropping options without loss of detail. Create 8K video at 30fps or 5.9K at 60fps. Thanks to professional tools such as waveform, vectorscope and false color, you can work with the utmost precision. Are you on set? It features two tally lights, so everyone knows recording is in progress. This camera is perfect for the content creator working at a professional level in both disciplines.
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New Panasonic S1 mark II E |
New Panasonic S1 mark II |
Panasonic S1 R mark II |
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|---|---|---|---|
| Image sensor | 35mm full-frame BSI CMOS sensor | 35mm full-frame partially stacked CMOS sensor | 35mm full-frame BSI CMOS sensor |
| Megapixels | 24.2 MP | 24.1 MP | 44.3 MP |
| ISO range | 100-51,200 (50-204,800 expandable) | 100-51,200 (50-204,800 expandable) | 80-51,200 (50-102,400 expandable) |
| Metering range | EV -4 to 18 | EV -4 to 18 | EV -4 to 18 |
| Exposure compensation | +/- 5 EV in 1/3 steps | +/- 5 EV in 1/3 steps | +/- 5 EV in 1/3 steps |
| Image stabilisation | 5 stops | 5 stops | 5 stops |
| Focus points | 779 | 779 | 779 |
| AF sensitivity | EV -6 to 18 | EV -6 to 18 | EV -6 to 18 |
| AF tracking | Face, eyes, people, animals, vehicles (car, motorcycle) + new Urban Sports mode | Face, eyes, people, animals, vehicles (car, motorcycle) + new Urban Sports mode | Face, eyes, people, animals, vehicles (car, motorcycle) |
| Viewfinder resolution | 5.76 million dots - OLED | 5.76 million dots - OLED | 5.76 million dots - OLED |
| Screen size | 7.6 cm (3") TFT LCD touchscreen | 7.6 cm (3") TFT LCD touchscreen | 7.6 cm (3") TFT LCD touchscreen |
| Screen resolution | 1.84 million dots | 1.84 million dots | 1.84 million dots |
| Screen movement | Flip-out and tiltable | Flip-out and tiltable | Flip-out and tiltable |
| Maximum photo resolution | 6000 × 4000 pixels | 6000 × 4000 pixels | 8368 × 5584 pixels |
| High-res | 96 MP | 96 MP | 177 MP |
| Fastest shutter speed | 1/8000 second | 1/8000 second | 1/8000 second |
| Frames per second | Maximum 30fps (electronic) | Maximum 70fps (electronic) + 15fps pre-burst | Maximum 40fps (electronic) |
| Photo formats | JPEG, HEIF, RAW | JPEG, HEIF, RAW | JPEG, HEIF, RAW |
| Aspect ratios | 3:2, 4:3, 16:9, 1:1, 2:3, 65:24, 2:1, 1:2 | 3:2, 4:3, 16:9, 1:1, 2:3, 65:24, 2:1, 1:2 | 3:2, 4:3, 16:9, 1:1 |
| Maximum video resolution | 6K at 30fps | 6K at 30fps | 8K at 30fps |
| Maximum recording speed | 120fps in Full HD | 120fps in 4K | 120fps in 4K |
| Maximum recording duration | Unlimited | Unlimited | Unlimited |
| Dynamic range | 14 stops | 15 stops | 14 stops |
| Video formats | MP4, MOV | MP4, MOV | MP4, MOV, Apple ProRes, RAW |
| Codecs | H.264 / AVC, H.265 / HEVC, Apple ProRes, ProRes RAW, ARRI LogC3 | H.264 / AVC, H.265 / HEVC, Apple ProRes 422 HQ & LT, ProRes RAW, ARRI LogC3, ALL-Intra and LongGOP | H.264 / AVC, H.265 / HEVC, Apple ProRes 422 HQ / LT, ProRes RAW, ARRI LogC3, ALL-Intra and LongGOP |
| Maximum bit depth | 4:2:2 10-bit | 4:2:2 10-bit | 4:2:2 10-bit |
| Gamma profiles | V-Log / V-Gamut, Cinelike D2 / V2, Like709 / V-Log View Assist, ARRI LogC3 | V-Log / V-Gamut, Cinelike D2 / V2, Like709 / V-Log View Assist, ARRI LogC3, REAL TIME LUT | V-Log / V-Gamut, Cinelike D2 / V2, HLG, ARRI LogC3, REAL TIME LUT |
| Microphone | 2-channel 16/24-bit, stereo | 2-channel 16/24-bit, stereo | 2-channel 24-bit, stereo |
| Headphones | Yes | Yes | Yes |
| Memory slot | 1x CFexpress type B, 1x SD | 1x CFexpress type B, 1x SDD | 1x CFexpress type B, 1x SD |
| HDMI | HDMI type A | HDMI type A | HDMI type A |
| USB | USB 3.2 type C | USB 3.2 type C | USB 3.2 type C |
| Battery | 2,200mAh Li-Ion battery 7.2V | 2,200mAh Li-Ion battery 7.2V | 2,200mAh Li-Ion battery 7.2V |
| Battery capacity | 370 photos | 370 photos | 340 photos |
| Wi-Fi | 2.4 / 5 GHz | 2.4 / 5 GHz | 2.4 / 5 GHz |
| Bluetooth | 5.0 | 5.0 | 5.0 |
| GPS function | No | No | No |
| Weather-resistant | -10°C – 40°C | -10°C – 40°C | -10°C – 40°C |
| Dimensions | 102.3 x 134.3 x 91.8 mm | 102.3 x 134.3 x 91.8 mm | 102.3 x 134.3 x 91.8 mm |
| Weight | 795.5 grams | 800.5 grams | 795 grams |
| Introduction | May 2025 | May 2025 | February 2025 |

Why should I choose the Panasonic S1 mark II E camera?
You are looking for a professional mirrorless camera with high-quality photo and video specifications, but have a slightly smaller budget. Then the Panasonic S1 mark II E certainly will not disappoint. This camera has a 24.2 MP BSI sensor that lets you create highly detailed 96 MP high-res photos in any lighting condition. Phase Hybrid autofocus with AI and the new Urban Sports option, plus 5-stop image stabilisation, help you keep your subject sharp and in focus. Switching to video? With the camera, you can create beautiful, detailed 6K videos at 30fps with a dynamic range of 14 stops. It supports professional video settings such as ARRI LogC3 and Apple ProRes RAW and high-quality 32-bit float recording. Everything for the content creator who wants to take things a step further.

Why should I choose the Panasonic S1 mark II camera?
You are a content creator with a fast workflow and you capture every action moment. You are already impressed by the Panasonic S1 mark II E, but the Panasonic S1 mark II offers you even more. This camera has a 24.1 MP partially stacked sensor for even faster readout and features a stunning 70fps burst mode. Are you heading out to film? In V-Log, this camera even offers 15 stops of dynamic range. It also has even more professional video options, such as 5.1K 60p Open Gate. Thanks to the taller, uncropped frame, you can crop afterwards in both horizontal and vertical format, useful for social (9:16), YouTube (16:9) or cinema (2.39:1). The Panasonic S1 mark II is perfect for high-speed photographers and videographers.

Why should I choose the Panasonic S1 R mark II camera?
You are a professional content creator looking for the best specifications for both photo and video. The Panasonic S1 R mark II has an impressive 44.3 MP BSI sensor. This allows you to create extremely detailed photos and 177 MP high-res images for large-format prints. You can capture videos in razor-sharp 8K at 30fps or 5.9K at 60fps, with a 14-stop dynamic range. Professional tools such as ARRI LogC3, Apple ProRes RAW and waveform display make the camera perfect for high-end video productions. The Panasonic S1 R mark II is the camera for professionals who want maximum resolution and flexibility in both photo and video.


