Blackmagic URSA Cine 12K LF

Blackmagic URSA Cine 12K LF

Capture the essence of your story with a truly cinematic look and feel with the Blackmagic URSA Cine 12K LF. The URSA Cine 12K features a stunning new cinematic 12K Full-frame 36 x 24mm sensor with an advertized 16-stop dynamic range and Blackmagic RAW recording up to 12K 3:2 open port. 

The URSA Cine camera features a revolutionary new sensor designed to deliver incredible quality footage at all resolutions from 4K all the way up to 12K. The larger sensor builds on the technology of the URSA Mini Pro 12K with larger photosites resulting in a dynamic range of 16-stops. The unique RGBW architecture delivers equal amounts of red, green and blue pixels. This means it is optimised to deliver incredibly rich colours in to deliver the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before. Plus, increased sensor scaling means you can shoot at all resolutions without cropping.

The URSA Cine is designed to meet the demands of any high-end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fibre-polycarbonate composite skin, so you can move quickly on set. Soft-touch backlit buttons make controls easy to see in all conditions. There’s a flip-out 5-inch touchscreen for reviewing shots and accessing camera settings, plus a dedicated auxiliary station on the other side of the camera, with a 5-inch LCD screen and full camera control. Standard LEMO and Fischer connectors let you control the camera remotely while also supplying power to lens motors and other accessories. You also get 12G-SDI output, 10G Ethernet, USB-C, XLR audio, and more.

URSA Cine’s large format sensor offers ultimate flexibility across aspect ratios, lenses, and delivery formats. The Full-frame sensor area gives you a stunning 3:2 open-gate view, allowing you to reframe your shots in post-production. Or you can use the large sensor area to shoot and deliver anamorphic footage in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K using the full sensor without cropping, preserving the full field of view of your lenses. There are even 9K Super35 4-perf, 3-perf, and 2-perf modes for full compatibility with classic cinema lenses. This allows you to create distinctive content in the highest quality.

Different projects require different lenses. That's why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. This means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot, and then shooting a period drama with vintage photographic lenses the next. Plus, each mount has contact pins to read the lens metadata for monitoring and use in post-production. With URSA Cine, you have the freedom to choose the lens you need for every type of work.

URSA Cine allows crews to work faster on set with multiple monitoring options. The fold-out monitor features a large 5” HDR touchscreen on one side and an external colour status LCD on the other. You can even rotate the screen and fold it back into the camera. On the right side of the camera is a dedicated assistant station with a second 5” HDR touchscreen, allowing the crew to work around the camera without the need for external monitors. Plus, the 1500 cd/m² screen and removable sunshade make it visible at all times, even in bright sunlight. On-screen overlays show status and shooting parametres, histogram, framing guides, and more. There’s even a special focus puller mode to help you achieve perfect focus.

The URSA Cine’s wide range of industry-standard connections makes it perfect for high-end cinema production. The 7-pin LEMO and 3-pin Fischer connectors on the front provide record start/stop and 24V power, making them ideal for on-board accessories such as focus motors. Power is supplied to the camera via a standard 24V 8-pin LEMO connection, plus an additional 2-pin LEMO 12V connection on the rear for lower voltage accessories. All of this means you can connect accessories straight from the camera, with no messy external cabling. There are also two independent 12G-SDI outputs for monitoring on two separate monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media sync.

Features of the Blackmagic URSA Cine 12K:

• Large format Full-frame 12K sensor
• 16-stop dynamic range
• Blackmagic RAW up to 12K 3:2 Open Gate
• Includes EVF top grip kit
• Stream via RTMP/SRT over Wi-Fi/RJ45/USB-C
• Built-in bright 2/4/6-stop IRND filters
• Built-in 5” foldable monitor, 1500 cd/m²
• 12G-SDI output, USB-C expansion ports
• Timecode/REF, LEMO/Fischer control ports
• 2x 3-pin balanced XLR audio inputs
• Body dimensions (WxHxD): 27.9 x 15.2 x 15.2 cm
• Body weight: 3.96 kg

In the Box:

• Blackmagic Design URSA Cine 12K LF camera
• URSA Cine EF mount
• EF mount screw set
• Media Module (8TB)
• URSA Cine Handle
• URSA Cine Pole mount (15mm)
• Blackmagic Design 19mm Base Plate for URSA Cine 12K
• Foldable Screen Hood for 5" LCD
• URSA Cine Battery Plate (B mount)
• Wi-Fi Antenna Kit
• URSA Cine PL Housing
• URSA Cine EF Protective Cover
• Rubber Connector Caps
• 24VDC 250W Power Supply
• DaVinci Resolve Studio Activation Key
• Blackmagic Sticker
• Pelican 1510 Case with Custom-Cut Foam
• Limited 1-Year Manufacturer's Warranty